This article is about the world’s only cabinet-museum of the great world scientist Vladimir Ivanovich Vernadsky. The museum celebrates its sixtieth anniversary in 2023, the year of the 160th anniversary of the scientist. The museum contains items which accompanied V.I. Vernadsky and his wife Natalia Egorovna (nee Staritskaya) from the moment of their wedding to his last days. There are many photos and portraits of relatives and friends of the Vernadsky family on the walls. Vernadsky’s library had about 7,000 books, some of which are now in the museum. The museum has many books by V.I. Vernadsky himself, published during his lifetime and in recent years. The sphere of interests of the great scientist was huge. The exposition and the library of the museum tell in detail about the creative path of the scientist. Having started as a mineralogist, V.I. Vernadsky created physical (energetical) crystallography, genetic mineralogy. He is the creator of radiogeology. His studies of living matter, comparison of its properties and composition with those of mineral matter allowed the scientist to create a new science –biogeochemistry. In his scientific activity, V.I. Vernadsky paid much attention to the development of his doctrine of the biosphere, the transition of the biosphere into the noösphere. Vernadsky was a significant public and political figure of pre-revolutionary Russia. One can learn about all this from the museum’s exposition and from the story of the curator of the museum.

The article analyzes a collection of minerals and rocks compiled in 1911 in Yekaterinburg city in the mineralogical workshop of the Commission for the Dissemination of Natural Science Knowledge of the Ural Society of Natural Science Lovers, stored in the Museum of Scientific Heritage (Ulan-Ude city). It includes both material (stone samples) and written sources (handwritten and printed). It contains information on the history of science, education and museum work in our country in the first decades of the 20th century. The collection was compiled according to J.D. Dana’s mineralogical systematics, typical for museum practice of that period. Its geography covers mainly the Southern Urals, but individual samples were collected in other regions of the Russian Empire.
The collection box contains its catalog, as well as scraps of the newspaper “Russkoye Slovo” and a fragment of a note of 1911, confirming the dating of the collection. The autograph on the catalogue belongs to Nadezhda O. Sharakshinova, a famous folklorist, through whose family the collection came to Buryatia. A second autograph was presumably left by the Yekaterinburg merchant Pyotr I. Yarinsky (~1868–?).
The educational mineral collections of the Ural Society of Natural Science Lovers were in demand by educational institutions across the country in the first decades of the 20th century. This activity is presented in sufficient detail in archival documents and research works. However, very few such educational aids have survived in museum collections. For the Museum of Scientific Heritage, the collection is an opportunity to expand the mineral diversity and geography of its collection; a document that stands out for its historical, scientific and memorial value.

The article considers the origins, nature and results of influence exerted by the famous Russian female mathematician Sofia Kovalevskaya (1850–1891) on her contemporary – Professor Nikolai Zhukovsky (1847–1921), who was an outstanding scientist in the field of mechanics and went down in history as the «father of Russian aviation». The circumstances of Professor Zhukovsky’s acquaintance with Sofia Kovalevskaya are analyzed. Based on the results of the content analysis of the epistolary heritage of S. Kovalevskaya and N. Zhukovsky, a conclusion was made about the absence of regular communication between these scientists through correspondence, despite N. Zhukovsky’s interest in the issues previously studied by S. Kovalevskaya. N. Zhukovsky’s contribution to the solution of the problem of motion of a heavy rigid body around a fixed point is analyzed, his original method used in his works on this subject is revealed. Few examples are given of N. Zhukovsky’s interest in solving other issues related to S. Kovalevskaya’s scientific interests. This article was prepared for the 175th anniversary of Sofia Kovalevskaya’s birth. Sources stored in the archival funds of the Scientific Memorial Museum of Professor Zhukovsky were used.

Professor N.E. Zhukovsky placed strong emphasis on visual clarity in writing and explaining his scientific works, repeatedly addressing the importance of geometric representation in theoretical mechanics. Drawing on archival materials from the Museum of Bauman Moscow State Technical University, the authors demonstrate that the “Russian Method of Craft Training” was built on the accumulated theoretical scientific foundation of the mid 19th century, gradually enriched by systematic collections of tools and teaching aids for each subject, and further developed through the practical work of students and their teachers. Examples of mechanisms created by Professor N.E. Zhukovsky can be found in the writings of his students and followers, in the works of Soviet scientists, and in museums of foreign universities–all of which hold high cultural value as part of our society’s scientific and pedagogical heritage. Through the case study of creating the museum replica “Hess’ Loxodromic Pendulum” based on Zhukovsky’s calculations, the article illustrates the substantial cultural potential embedded in the papers and designs of the Russian scholar. It shows how much inspiration and new scientific ideas contemporary educators and students can still draw from the now classic works of Professor Zhukovsky and his disciples. The reader will become acquainted with the principles of this scholar’s scientific and pedagogical activity—vivid examples of genuine scientific dedication by a scholar and patriot of our country.