The article examines the collaboration between the Earth Science Museum and professors from the Faculty of Biology and the Faculty of Soil Science at Lomonosov Moscow State University (Faculty of Biology and Soil Science until 1973) from the museum’s founding to the present day. In the early 1950s, university professors collaborated with the museum staff to create biology-themed exhibits at the Museum. In particular, they helped preparing the exhibits on the 26th floor (Marine Hall) and the 25th floor (Natural Zonation). A brief overview of the current course offerings in biological disciplines at the Earth Science Museum is presented, including courses for students from the Faculty of Biology, the Faculty of Geology, and the Faculty of Philology at Moscow State University. The disciplines covered include “Ecology”, “Marine Communities and Ecosystems”, “Ecology with Fundamentals of Biogeography”, and “Modern Natural Sciences”. The museum’s exhibition serves as a unique educational environment for such classes, particularly when incorporating modern pedagogical approaches such as the flipped classroom model. The article presents the collaborative work of the Museum’s staff and students from the Faculty of Biology within the framework of the MSU’s Development Program “Development of the Foundations for the Establishing, Operating, and Advancing a Comprehensive University-based Scientific and Educational Youth Museum Using the Example of Lomonosov Moscow State University.” It also highlights the creation of a unique interdisciplinary open-air exhibition at the MSU Botanical Garden on Leninskie gory named “From the Arctic to Moscow: The Path of Glaciers”.

The article demonstrates the important role of animalistic painting in environmental education and enlightenment in natural science museums, in particular, the Scientific and Educational Earth Science Museum at Moscow State University. Particular attention is paid to those artists whose works in the animalistic genre are presented in the museums which they collaborated with (N.V. Pinegin, V.A. Vatagin, K.K. Flerov, A.N. Komarov, V.A. Gorbatov, D.Ya. Cherkes, M.A. Birshtein, L.I. Naroditsky, I.A. Popov, M.I. Sidorov, S.P. Rychagov, V.A. Arlashin, D.N. Domogatsky, A.N. Bazel'tsev). The article identifies paintings in the animalistic genre exhibited in the “Natural Zonality” section of the Earth Science Museum at Moscow State University, provides scientific and artistic descriptions, and demonstrates the relationship with natural exhibits. Based on this analysis, proposals for modernizing the exhibition were formulated.

The exposition of the department "Natural Zones" in the Earth Science Museum of Moscow State University (25th floor, halls Nos 18–20) presents 15 full-scale exhibits of dry 3D fragments of biogeocenoses, namely: spotted tundra; forest tundra; swamps: flat-hummocky tundra, oligotrophic upland and mesotrophic lowland sedge; spruce-green grass; grass-grass and tipchak-grass steppes; subtropical mountain forest; alpine meadows; semi-deserts; deserts – clay, wormwood-solyanka and ilak belosaksaulnik on ridge sands; and savannas. These exhibits demonstrate the interaction of the main natural components characteristic of the respective climatic conditions (soils, flora, and fauna). The article gives a description of the animal species represented in the exposition based on a visual examination of zoological exhibits and a study of their nomenclature and taxonomic changes.

The aim of our study was to carry out a detailed stratigraphic dissection of sections of the western territories of Kazakhstan using the remains of ichthyosaurs. Upper Jurassic and Lower Cretaceous ichthyosaurs were studied. Their collecting was carried out in the period of 2016–2023 from sections in the western Kazakhstan (the villages of Pogodayevo and Shchuchkino in the West Kazakhstan region, the village of Tushybek, Mangystau region (Central Mangyshlak Peninsula)) and the Middle Volga region (the village of Gorodishchi, Ulyanovsk region).

The article characterizes the reference sections of the Western region of the Republic of Kazakhstan with a description of the found remains of ichthyosaurs of the genera Kazakhstanosaurus, Nannopterygius, and Platypterygius. It has been established that fragments of their skeletons are found in the Upper Jurassic sediments of the sections near the villages of Pogodayevo and Shchuchkino in the West Kazakhstan territory, and in the village of Gorodishchi in the Ulyanovsk region, as well as in the sediments of the Lower Cretaceous of the Mangystau region. The species diversity of the genus Nannopterygius is noted.

Our study of the Upper Jurassic sections nearv. Pogodayevo, Shchuchkino and Gorodishchi, and the Lower Cretaceous section of nearv. Tushybek showed that the comparison of the identified Ichthyosaur genera with the Mesozoic scale complexes allowed accurate determination of the age of local stratons and the position of their boundaries.

Brief information about the author’s course dedicated to crystal growth is provided. The education program gives general information of the mechanisms of crystal growth, the main growing methods, crystal formation in nature and under home conditions. Issues of the origin of the first group gemstones, the specifics of their formation in the laboratory, methods of treatment and application are considered. A large amount of information is given, that’s why the course is divided into four sections and clearly structured within each of them. This helps to make it easier to perceive. Online course design allows the lecturer to effectively interact with the audience.

Brief information about the author’s course dedicated to the world of gemstones is provided. Data of first-order gemstones (diamond, emerald, sapphire, ruby, alexandrite and pearl) are given. The questions of the discovery history of these gemstones, their classification, properties, formation in nature, methods of synthesis, methods of refining, as well as estimation systems are considered. Due to a large amount of information, the course is divided into four sections and clearly structured in each of them. This helps to make it easier to perceive. Online course design allows the lecturer to effectively interact with the audience.